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Interplays, In Between
[Ad Noiseam]
"Interplays, In Between" is the Ukrainian minimalist and experimental eclectronica composer Andrey Kiritchenko's second album. It's sad there is no legal mention that would say "please, turn the volume of your stereo up", as the signs of life from those nine instrumental tracks are far from being pervasive and turbulent. But it's not the aim of this kind of music, which, like the Young Gods' recent "Music for Artificial Clouds", could be described as environmental music. What means ambient music as well as a sound envelop, like the ones that justly accompany modern art exhibitions. We think of the way they can caress the space and create the breath of life all around those inert buildings. One will need to prick up his/her ears and even pull on them, in order to listen to the differences and resemblances between Kingdom of Blessed Dream, Bits Colashade and Raison d'Ętre, about which some of us will say that its title is eventually the question of its own existence. This record is for the initiated, and is a journey to the raw sound, the one without any seducing melody, where the mix of electronic and acoustic music all comes to a question of high and low frequencies. Physics, all in all.
Bertrand Hamonou |
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